By Claude Schumacher
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Extra resources for Alfred Jarry and Guillaume Apollinaire
Ubu would have to kill hirn over and over again, and the nobleman would stubbornly be resurrected as Grand Duke, Prince, Margrave and Count. In other words, once the dictator has put the rnurderous process into motion, it acquires a momenturn of its own and faceless victim follows faceless victim. The important point, however, which can be effectively shown only on stage, is that man can never be tJtally conquered and, like the hero in a Western, will always get up. Both soldiers and nobles are denied any personal identity; they die and co rne alive again in never-ending succession.
Jarry says, 'The action takes place in Poland; a legendary and dismembered country which is precisely Nowhere, or at least a far away questionable somewhere' (Uhu, p. 337). The time is equally vague. The text of the play gives no 45 Alfred Jarry and Guillaume Apollinaire clue to any period in any country's history. When describing the costumes, Jarry remarks that 'they should preferably be modern, since the satire is modern and shabby, because the play will seem even more wretched and horrifying' .
In July 1907 he spent a few days in the capital in such a miserable state of health that he did not even see his friend Vallette. Thanks to the generosity of two fellow authors he returned to Paris on 7 October, but was too weak to venture outside his room. On 20 October, Vallette, worried about his friend's well-being, calJed at his lodging. Jarry could not even drag hirnself to the door. A locksmith was summoned and Jarry was discovered Iying in 35 Alfred Jarry and Guillaume Apollinaire bed, barely conscious and with an impending paralysis of the legs.