By Arthur F. Kinney
This expansive, inter-disciplinary consultant to Renaissance performs and the realm they performed to offers readers a colourful assessment of England's nice dramatic age.
- Provides an expansive and inter-disciplinary method of Renaissance performs and the realm they performed to.
- Offers a colorful and entire evaluate of the cloth stipulations of England's most vital dramatic interval.
- Gives readers evidence and knowledge besides updated interpretation of the performs.
- Looks on the drama by way of its cultural service provider, its collaborative nature, and its ideological complexity.
Chapter 1 The Politics of Renaissance England (pages 11–24): Norman Jones
Chapter 2 Political inspiration and the Theater, 1580–1630 (pages 25–39): Annabel Patterson
Chapter three spiritual Persuasions, c.1580–c.1620 (pages 40–49): Lori Anne Ferrell
Chapter four Social Discourse and the altering economic system (pages 50–67): Lee Beier
Chapter five London and Westminster (pages 68–82): Ian W. Archer
Chapter 6 Vagrancy (pages 83–92): William C. Carroll
Chapter 7 kinfolk and loved ones (pages 93–108): Martin Ingram
Chapter eight commute and exchange (pages 109–120): William H. Sherman
Chapter nine daily customized and pop culture (pages 121–134): Michael Bristol
Chapter 10 Magic and Witchcraft (pages 135–144): Deborah Willis
Chapter eleven Playhouses (pages 145–161): Herbert Berry
Chapter 12 The Transmission of an English Renaissance Play?Text (pages 163–179): Grace Ioppolo
Chapter thirteen enjoying businesses and Repertory (pages 180–192): Roslyn L. Knutson
Chapter 14 needs to the satan Appear?: Audiences, Actors, degree enterprise (pages 193–211): S. P. Cerasano
Chapter 15 “The Actors are Come Hither”: touring businesses (pages 212–222): Peter H. Greenfield
Chapter sixteen Jurisdiction of Theater and Censorship (pages 223–236): Richard Dutton
Chapter 17 Medieval and Reformation Roots (pages 237–256): Raphael Falco
Chapter 18 the educational Drama (pages 257–265): Robert S. Knapp
Chapter 19 “What Revels are in Hand?”: Performances within the nice families (pages 266–280): Suzanne Westfall
Chapter 20 Progresses and court docket Entertainments (pages 281–293): R. Malcolm Smuts
Chapter 21 Civic Drama (pages 294–313): Lawrence Manley
Chapter 22 Boy businesses and personal Theaters (pages 314–325): Michael Shapiro
Chapter 23 Revenge Tragedy (pages 326–335): Eugene D. Hill
Chapter 24 Staging the Malcontent in Early smooth England (pages 336–352): Mark Thornton Burnett
Chapter 25 urban Comedy (pages 353–366): John A. Twyning
Chapter 26 household Tragedy: deepest existence at the Public level (pages 367–383): Lena Cowen Orlin
Chapter 27 Romance and Tragicomedy (pages 384–398): Maurice Hunt
Chapter 28 Gendering the level (pages 399–415): Alison Findlay
Chapter 29 Closet Drama (pages 416–430): Marta Straznicky
Chapter 30 Continental impacts (pages 432–445): Lawrence F. Rhu
Chapter 31 Christopher Marlowe (pages 446–463): Emily C. Bartels
Chapter 32 Ben Jonson (pages 464–481): W. David Kay
Chapter 33 Sidney, Cary, Wroth (pages 482–506): Margaret Ferguson
Chapter 34 Thomas Middleton (pages 507–523): John Jowett
Chapter 35 Beaumont and Fletcher (pages 524–539): Lee Bliss
Chapter 36 Collaboration (pages 540–552): Philip C. McGuire
Chapter 37 John Webster (pages 553–566): Elli Abraham Shellist
Chapter 38 John Ford (pages 567–583): Mario Digangi
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Additional resources for A Companion to Renaissance Drama
In November 1601 O’Neill and a Spanish army made a joint attack on Mountjoy’s forces. Mountjoy, however, surprised O’Neill as he was deploying his troops at Kinsale, ending Irish resistance and placing all of Ireland under English rule for the ﬁrst time. O’Neill surrendered, on favorable terms, in March 1603, six days after Elizabeth died. Elizabeth’s government desperately needed more money than it had. In normal times the monarch paid for government out of the customs revenues, rents on crown lands, and other sources of income.
The idea of a contractual arrangement between monarch and people evolved extremely slowly. Economics, however, quickly enters the picture. Asking for whose beneﬁt government exists leads to the issue raised by Sir Epicure Mammon and Dol Common (an aristocrat and a commoner) as to which system best permits the accumulation of private wealth – a question that dominates every modern election. This in turn leads to questions of taxation, and ultimately to the early modern assumption of no taxation without representation.
Soon, Parliament began passing national legislation with the same intent. Ironically, this set the stage for a clash with the supreme governor of the church, James. In 1615, returning from Scotland via Lancashire, James discovered that zealous Puritan magistrates had banned sports on Sunday, believing they deﬁled the Sabbath. Horriﬁed, James issued a national order, known as the “Declaration of Sports,” protecting the right to dance, practice archery, and follow other harmless recreations on Sunday afternoons.